The Melody Plays On

By Galia Limor

This is the story of a violin bearing the ongoing imprint of the treks, hardships, valor, and adventures of decades of experience. Many years ago, during World War II, the violin was the inseparable companion of Motteleh, a 12-year-old Jew. The young boy, his violin in hand, hid in the forests of Belorussia until he encountered Misha, a fearless partisan who commanded a partisans' camp in the forests.Misha gave Motteleh his protection and provided permanent refuge for the boy in the partisans' camp. It quickly became apparent that Motteleh, an accomplished violinist, could be very helpful to the partisans.

One day, the group of partisans headed for the town of Ovruch, which was still under German control. Motteleh, disguised as a beggar, sat down next to the church and played his violin. A forged document in his pocket, specially prepared by one of the partisans in his group, identified him as the son of Ivan Kobina, of the village of Listvin, who had been interned in a Russian POW camp. Motteleh played Ukrainian folk songs and accompanied them with his soft voice as people slowly gathered around him and began to drop coins into the small bowl resting between his legs.
Suddenly a German officer approached, ordering Motteleh to come with him. Together they walked through the town alleys until they came to a stone building. As they entered, Motteleh noticed German officers seated at small tables, eating, drinking, and speaking in loud voices. The "escorting" officer led Motteleh to a grand piano in the corner of the room.
An old man with long gray hair who was sitting at the piano placed some music in front of Motteleh, ordered him to play, and then began to accompany him on the piano.
When they finished playing, the officers' cheering filled the room. The one who had delivered Motteleh was very impressed with the impromptu concert and suggested that Motteleh play twice a day at noon and in the evening. In return, he offered him two marks per day, as well as lunch and dinner. Misha ordered Motteleh to stay with the Germans and "case" the building. The facility, they soon discovered, was a Wehrmacht hostel where the Germans had established a roadside inn that attracted large numbers of soldiers. As Motteleh played for the officers, he memorized all the details he saw and had them forwarded to Misha by courier.
One day after lunch, Motteleh discovered a crack in the wall of the building, evidently created when the town was bombarded. The young violinist, influenced by the partisans' stories about bombs and sabotage, thought that the entire place, German officers and all, could be blown up if a mine were inserted into the crack.
The idea was communicated to Misha by courier, and the plan began to take shape. Misha sent Popov, the partisans' mines expert, to Motteleh, who briefed him on the building. Popov calculated that the task would require 18 kilograms of explosives, and began to teach Motteleh how they were made and how to lay them so that they would detonate. All that remained was to place a large quantity of explosives in the cellar fissure.
This, however, was no simple task because Motteleh had to visit the cellar each evening. At the door, he withdrew the violin from its case, placed it in an empty barrel, and left the building with the empty case. The next day, when he returned to play, he tucked the case under his arm. Now, however, it was filled not with a violin but with several kilograms of explosives. Within a few days, he moved the entire quantity to the cellar. All that remained was to set the fuse.
Motteleh chose the appropriate day. An entire SS division had reached the hostel on its way to the eastern front. High-ranking officers packed the inn for lunch and supper. Motteleh and his accompanist made their stay pleasant by performing for hours. As midnight approached, the manager allowed the elderly pianist to turn in for the night, and Motteleh, as usual, went down to the kitchen for his supper.
After eating, he tiptoed into the cellar. There, in the dark, he groped for the edge of the fuse next to the mine and lit it. He left the building quickly and began to race down the alleys toward the river. After taking several more steps, he heard a deafening explosion accompanied by the shattering of windowpanes around him.
As he crossed the river, holding his violin over his head, a large, threatening tongue of flame illuminated the city. On the opposite bank, as planned, his partisan comrades waited for him and drove him back to the forest. He was proud for having avenged the murder of his family.
Little Motteleh did not survive the war, but died about a year later. Misha, however, zealously guarded Motteleh's permanent companion, the faithful violin. Misha bequeathed the instrument to his relatives, and his grandson, Sefi Hanegbi, a tour guide in the Negev, kept it for many years. Recently, with the mediation and assistance of violin-maker Amnon Weinstein, Hanegbi decided to place it in the permanent care of Yad Vashem.
At a unique ceremony with Keshet Eilon, the international master classes at Kibbutz Eilon, the violin was handed over to Avner Shalev in the presence of violinists Ida Handel and Shlomo Mintz, after a tune by Ernst Bloch was played by violinist Matan Givol.

Copyright ©2004 Yad Vashem The Holocaust Martyrs' and Heroes' Remembrance Authority