Contents
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Editors' Remarks
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The New Museum: Thousands of
Visitors a Day
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“Etched Voices”: New Exhibitions
Pavilion Displays Contemporary Art
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Inauguration of the New Synagogue
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Education:
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Focusing on Europe
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Echoes and Reflections
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Guides for the March of the Living
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Events at the
International School for Holocaust Studies
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Generation to Generation: Historic
Gathering of Survivors and their Families
at Yad Vashem
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The Names Database: Collecting
Names, Memorializing Lives
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Their Silent Cries: Hidden Child
Survivors of the Holocaust
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News
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Friends Worldwide
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About the Magazine
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Credits
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Back Issues
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Contact Us |
by Vivian Uria

“There are no words… only those who were there know what it was to be
there. And yet we are duty bound to try to tell, and not bury our memories
in silence… We decided to tell the tale because we wanted the world to be
a better world. And learn, and remember.”
Nobel Laureate Prof. Elie Wiesel, at the opening ceremony of the New
Museum at Yad Vashem, March 2005
In the first three months since the new Holocaust History Museum and
Holocaust Art Museum opened to the public at the end of March, over
350,000 people have visited Yad Vashem. An average of 5,000 visitors tour
the Museum every day—an increase of 100% from before the opening. There
has also been a dramatic rise in the number of individuals touring the
Museum, currently amounting to half of all visitors.
The development plan implemented at Yad Vashem over the last decade sought
to meet the ever-increasing expectations and standards of quality service
and exhibit presentation. Yad Vashem is now facing various challenges: to
provide a meaningful experience for all visitors while maintaining
suitable services and facilities.
The Visitors Center—inaugurated in September 2003—offers an information
and orientation center, a bookstore and more. Here, staff members endeavor
to provide efficient service, shorten waiting times, and smoothly
coordinate the flow of visitors to the Museum. The level of background
noise (including screened survivor testimonies) within the new Museum has
also brought to light the necessity for an audio system to provide
suitably quiet visitor guidance. Efforts are therefore currently underway
to provide such a service.
Established in advance of the Museum’s opening, the new Reservations
Center coordinates group visits, allowing the largest possible number of
people to tour the Museum in an appropriate atmosphere. (Individuals are
not currently required to coordinate their visits prior to arrival).
Currently external tour guides may lead public groups through the Museum,
with prior permission from the Reservations Center. Educational
groups—teachers, students and soldiers—are guided by staff members from
the International School for Holocaust Studies.
The author is Director of the Visitors Center.
Bearing Witness
by Dr. Bella Gutterman
 |
To Bear Witness – Holocaust Remembrance at Yad Vashem, edited by Bella Gutterman and Avner Shalev, 2005, 350 pp., NIS 119
“The new Museum Complex is designed to meet the changing needs of each
generation and serve as a bridge between the world that was destroyed and
the life that resumed.” The Editors, To Bear Witness—Holocaust Remembrance
at Yad Vashem
One visit to the new Holocaust History Museum and the new Museum of
Holocaust Art is insufficient to encompass the wealth of material
displayed: documents, artifacts, photographs, maps, artworks and personal
testimonies. The visitor senses this, and feels he or she did not have a
chance to fully absorb the wealth and variety of the exhibitions. To Bear
Witness—Holocaust Remembrance at Yad Vashem is intended to help visitors’
take the momentous experience home with them and digest the immense store
of impressions and information provided by the Museum.
The album offers an in-depth acquaintance with the Museum Complex, and can
be read at various levels of interest: The reader can leaf through the
hundreds of photographs—some of which are being published for the first
time in the album—and glean concise information from the accompanying
explanations. For those who wish to learn more, the comprehensive text
presents the events leading up to and during the Holocaust, the national
Jewish revival and the founding of the State of Israel, along with a
description of the establishment of Yad Vashem and its various components.
The layout of the album follows the structure of the Museum, chapter by
chapter. A chronological description, alongside a thematic one, emphasizes
the Jewish perspective—and particularly that of the individual—against a
backdrop of the deeds of the murderers and the inaction of those who idly
stood by. Special chapters are devoted to the acts of rescue carried out
by the Righteous Among the Nations, along with rescue operations of Jews
by other Jews and the heroic acts of the partisans, underground fighters
and soldiers in the Allied armies.
The album has been published in Hebrew and English, and is currently being
translated into French, German and Spanish. A Russian translation will
follow.
The writer is the Director and Senior Editor of Yad Vashem Publications.
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“To the establishers of the
new Museum, thank you from the depth of my heart and my soul. You have
given me another chance to understand—or to try to understand once
again—my father, Shmuel Kluger z”l.”
Prof. Avraham Nathan Kluger (Israel), from the visitors’ book
“Thank you for creating this wonderful tribute. Its sadness and hope mix
beautifully to create a powerful symbol of my past, present and future.”
Jon Nussbaum (USA), from the visitors’ book |