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Holocaust Education: Directions and Challenges
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Building Bridges of Understanding
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New on the
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Educators’ Conference
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“Remember the
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The Names Database:
“I waited 65 years to give her a kiss”
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Facing the
Future of Holocaust Remembrance
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The American Society
for Yad Vashem 25: Years of
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Eli Zborowski: A
Life Mission
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Gaining
Another Perspective: The Yad Vashem Delegation to Poland, 2006
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Joseph (Tommy)
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Events June –
September 2006
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New Display:
Drawings of the Trial of Klaus Barbie, “The Butcher of Lyon”
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News from the
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The Last
Survivor of Chelmno
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Annotator of
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by Yehudit Shendar and Keren Katsir-Stiebel
A new display of drawings drawn by the French artist René Diaz at the
trial of war criminal Klaus Barbie opened in the foyer of Yad Vashem’s
main auditorium on 17 October 2006. The opening coincided with a symposium
focusing on the influence of the Klaus Barbie trial on Shoah remembrance
in France, with the participation of the artist, Nazi hunter Serge
Klarsfeld, who identified Barbie’s hiding place in 1983, French Cultural
Counsellor in Israel Prof. Tobie T. Nathan, and the Chairman of the French
Society for Yad Vashem Richard Prasquier.
Klaus Barbie was born in 1913 in Bad Godesberg, Germany. He joined the
Nazi party in 1932, and in 1935 the S.S. and the S.D. When the Germans
invaded southern France in 1942, Barbie was appointed head of the Gestapo
in Lyon, where he commanded operations involving the arrest, torture,
murder and deportation of thousands of Jews and underground fighters.
Barbie’s inconceivable cruelty earned him the infamous title “the Butcher
of Lyon.” After the war, Barbie worked as an agent for American
counter-intelligence in Germany. In 1951, he immigrated to Bolivia and
settled in the capital, La Paz, adopting a false name, Klaus Altman.
In 1952 and 1954, Barbie was tried in absentia in France, and found guilty
on both counts. In 1971, Nazi hunters Beate and Serge Klarsfeld tracked
him down. Unfortunately, requests for extradition were denied several
times. Only in 1983 was Barbie successfully deported from Bolivia to
France. He was charged with crimes against humanity, crimes for which the
statute of limitations does not apply. They included responsibility for:
the February 1943 raid on the General Union of French Jewry, during which
85 Jews were arrested and transported to Auschwitz; the deportation of 44
Jewish children hiding in the village of Izieu, near Lyon; and the last
transport of Jews from Lyon to Auschwitz in 1944. Barbie was also accused
of deporting 842 members of the French underground (the Résistance) – half
of whom were Jewish – from Lyon, as well as for the torture and the murder
of Jean Moulin, a prominent member of the Résistance.
On 4 July 1987, Klaus Barbie was found guilty of crimes against humanity,
and sentenced to life in prison, the maximum penalty permitted under
French law. In 1991, Barbie died of cancer, in prison.
The drawings on display are part of a larger collection belonging to the
René Diaz, which he drew for over eight weeks at Barbie’s trial in 1987.
With his unique ability to “capture the moment”, Diaz succeeded in
relaying the intensity of the facial expressions, the dramatic hand
movements and the deep feelings of each witness as the drama unfolded
around him. The drawings were previously displayed at the Musee de la
Déportation et Résistance de Lyon. After the exhibition closed, Diaz
generously donated them to the collection of the Museum of Holocaust Art
at Yad Vashem.
Yehudit Shendar is Senior Art Curator, Museums Division, and Keren
Katsir-Stiebel is Collection Manager, Museum of Holocaust Art.
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Sketches by René Diaz of the Klaus Barbie Trial, now on
display at Yad Vashem:
top, Klaus Barbie (center); bottom, Serge Klarsfeld (right) and Advocate
Sylvia Zimmerman |