
Landscape for an ancient
country, 1960's
Oil on canvas
47x61 cm.
Private Collection, Israel |
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Local Color, 1967
Oil on canvas
24x36 cm.
Collection of the artist |
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Town Planning, 1967
Oil on canvas
100x81 cm.
Collection of the artist |
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A home on the brink of extinction
Israel 1966-67
After an absence of ten years from Israel, Bak returned in 1966 to
establish a home. However, soon after his return to what he had hoped
would be a safe haven, the Six Day War erupted, shaking the
foundations of his physical and emotional being. Israel faced
existential danger and the surrounding preparations for war dredged up
buried memories of survival under the threat of extinction. “My mind
resonated with my fear that the Israeli spring of 1967 would be like
the tragic month of September 1943 in the ghetto. Then thousands of
men, women and children saw clearly that all hope was lost and that
they were about to be sent to their death.”
The existential fears arouse a need in Bak to move his family to
Europe – he is unable to cope with the possibility that his daughters
may be harmed. Tel Aviv, residing safely on the shores of the
Mediterranean, emerges as poised on the precipice. Tel-Aviv and
Auschwitz unite in his consciousness, daily scenes merging with his
memories from Vilna. Past and present coalesce into a single entity,
surrealist in essence.
As a wanderer amongst and between countries and continents, in search
of a home in many cities and states, home, for Samuel Bak, has become
an existential question. The wandering Jew finds no permanent home at
any address. The timeless home is in his inner being, alluding to the
Jews of Vilna, where he was born.
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